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“I'll tell you straight up: Tired of pretending I liked sharing the stage with everyone (the famous "live fatigue"), in 2010 I decided the solution was obvious: doing it solo and singing in Catalan. What combination could possibly guarantee more success, right?
That's how El Sistema Suec was born, my weekend DIY project, so independent it was completely invisible. Thank goodness for the political asylum granted to me by El Mamut Traçut. There, we convinced ourselves that anti-folk, rock, and electronic music could be friends, because pop was the only thing I truly knew how to make.
After a few EPs and a lot of introspection (nice name for stagnation) Margnat (2017) was my big excuse to disappear.
Three years later, nostalgia (or lack of paying work) called. I came back with tracks that, finally, fulfilled the promise: diaphanous pop. Once I achieved what I wanted from the start—absolute control—I quit. I've left it spotless, without a single pending demo you can criticize."